… is definitely a sentence I wouldn’t have imagined saying. Ever. But, lo and behold the comedian, Froomesworld CEO, livestream dater and champion of the poop stool can now add musician to her swelling list of talents. And, like many celebrities before her that have made the bold step into the music industry (think Shaq, Paris Hilton, Russell Crowe), she’s leveraged her popularity to work with some of the best in the biz – chart-topping EDM icon Flume and Aussie industry darling G Flip.
That’s right, Hottest 100 winner Flume was enlisted to create the track’s euphoric beat, with G Flip lending her silky vocals to the tune’s addictive outro. Their contributions are impressive, but the real meat and potatoes of the bouncey bop lie in Froomes’ verse which essentially outlines everything that followers/employees of Froomesworld can expect to encounter in her feed, delivered with a deft (or deaf?) touch.
Is this the first of many tracks? Is Froomes ready to hang up the hosting microphone in favour of a remarkably similar vocal microphone? Is the dawn of a new age in Australian music? We hit Froomes with some of the many questions raised by this breathtaking track. Check it out below and head here to follow Froomes and join us in the boardroom of Froomesworld:
https://www.youtube.com/watch?v=3mD2fLPa4Fg
No flies as of yet. I’ve come to the conclusion that he’s chosen me as a future wife, and is therefore giving me the silent treatment as a test of my patience. I would make a wonderful spouse.
I was motivated to create a company jingle because I could see a gap in the market. When in regional Australia, my favourite thing to do is watch the ads on WIN. There are some belter ditties for car yards and plumbers. I thought it was time we brought some red dirt realness to corporate Australia.
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My favourite verse is the one about poo. Of taking a bowel movement, I sing:
There’s nothing wrong with it, it feels good, matters of the butthole are misunderstood.
This is a philosophy I live by. There is undue secrecy around the act. It’s a shame we can’t talk openly about the ecstasy of a clean snap.
Humans have a visceral reaction to horns. They are both shocking and exciting. The airhorns were necessary to take the track up a notch, to appeal to the emotional, animal side of listeners.
Women with shaved heads are often seen as emotionally unstable. And I wanted to change that perception. I am clearly very sane. Who in their right mind wouldn’t want to, as I sing, “fly a spaceship right into Uranus”?
I find inspiration everywhere, but mostly within. I would describe the way I style my tailored shirt as both a fresh and modern approach. Everyone talks about the French Tuck – and to them I raise the What The Fuck.
I can’t really put a finger on why it works. It just does.
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I met both Flume and G-Flip on a cruise liner on the French riviera. I was onboard performing as a soloist in a wind orchestra. After receiving a standing ovation for my matinee performance, they both approached me at the bar and offered me photographs of their feet. I politely declined and instead proposed we create a song. For the people.
Of course they did. But I made them feel at home. It’s important, when working with new artists, to include them in the process. Teaching Flume how to use Ableton was a real highlight.
It’s not a once-off. Far from it. I’m actually a little offended you asked that.
I will be releasing an album and winning my first ever ARIA Award. Thankfully, my background in business means I’m well prepared to hobnob with the studio bigwigs at various afterparties. And toilet cubicles are my natural habitat…
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